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December 28, 2004

SUSAN SONTAG'S DEATH

I was quite pained to learn just now of the death of Susan Sontag, who left us this morning at 7:00 AM in New York.  I first encountered Susan on the page when I was a teenager, through her groundbreaking essays in the Partisan Review--where she helped introduce Americans to European intellectuals of the first rank, like Roland Barthes, among many. We finally met in the late '70s, when Dick Sennett had asked me to be a Fellow at the Institute for the Humanities at New York University--a sort of glorified chat shop for intellectuals which we used to refer to jokingly as "the Humane Society"-- where Susan was a regular at the seminars. We became friends, and I passed many agreeable hours in her company in the years before I left for France. On several occasions we shared a joint together--although I felt rather guilty about giving one to her, as she had already had lung problems and bouts of cancer. Most of the obituaries will undoubtedly speak of Susan's brilliance. But I also remember her humor and wit, her love of gossip, her openness to the new, her capacity for lucid self-analysis, her ravishing smile, and her distinctive laugh. We often talked about sexuality--she was quite amusing in recounting her own amorous adventures with women. I confess I never cared as much for her fiction, although it was always interesting, as I did for her inimitable essays on culture, literature, and politics. Against Interpretation was masterful; Regarding the Pain of Others, which almost won the National Book Award last year, should be in everyone's library. Hers was a truly original mind.

Susan was the epitome of the intellectuelle engagée. She never shirked the responsibility of living in her time, and brought her acute analysis, and empathy with victims of state oppression wherever it was felt, onto the page with memorable effect. She was also a tireless activist in the service of other writers and writers' liberties. The last time she made headlines was when, during the second U.S. war in Iraq, Susan was pilloried by the philistines --and in the most vile terms -- after a Nightline appearance in which she compared the Congress's repeated standing applause for George Bush's war speech to the knee-jerk ovations of the Party Congresses in the Soviet Union (post-Stalin.) She got it exactly right, of course.

Susan is not replaceable. She will be missed.

P.S. After reading the above, Steve Wasserman, the L.A. Times literary editor, just sent me his obit on Susan for his paper. He captures her importance rather nicely. In his note to me, Steve says of Susan's death, "I'm undone." He is not alone in that feeling.....Later still: It's now 5:00 P.M. , and Susan's removal hangs in the air of the dying day like a bad omen. I've just read the irritating obit the N.Y. Times has posted, which contains this decidedly snarky paragraph:

"Over four decades, public response to Ms. Sontag remained irreconcilably divided. She was described, variously, as explosive, anticlimactic, original, trendy, iconoclastic, captivating, hollow, rhapsodic, naïve, sophisticated, approachable, abrasive, aloof, attention-seeking, charming, condescending, populist, puritanical, sybaritic, sincere, posturing, ascetic, voluptuary, right-wing, left-wing, mannered, formidable, brilliant, profound, superficial, ardent, bloodless, dogmatic, challenging, ambivalent, accessible, lofty, erudite, lucid, inscrutable, solipsistic, intellectual, visceral, reasoned, pretentious, portentous, maddening, lyrical, abstract, narrative, acerbic, opportunistic, chilly, effusive, careerist, sober, gimmicky, relevant, passé, facile, illogical, ambivalent, polemical, didactic, tenacious, slippery, celebratory, banal, untenable, doctrinaire, ecstatic, melancholic, humorous, humorless, deadpan, rhapsodic, aloof, glib, cantankerous and clever. No one ever called her dull." After reading this, my chum John Berendt sent me this note: "By my rough count there are 25 words in the list that could be considered positive, 33 negative, and 19 that could be read either way.  Strangely, the words 'aloof' and 'ambivalent' appear twice; I only counted each of them once, but their appearance made the list seem even more heavily weighted on the negative side."

Posted by Doug Ireland at 02:38 PM | Permalink

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Comments

To Whom It May Concern:

I was wondering, if you could please take my comment out. I had no idea that this would be shown on the web.

Thanks. I'd so much appreciate it.

Posted by: Simone Kussatz | Jun 28, 2009 1:31:09 AM

Dear Doug...

could you please take off my comment about Susan Sontag's death. I didn't know that this would be published, when I wrote it and I feel it's something so personal
that I don't like to share with everyone who's googling me..

Thanks I truly appreciate your consideration.

and Happy 2009..

Posted by: Simone Kussatz | Dec 27, 2008 1:44:51 PM

musica
teatro
cine
danza
literatura
cultura
arte

Posted by: mbpro | Nov 13, 2005 8:30:59 PM

Ohh please see was an anti-white Marxists twit. Saying crap like "the white race is the cancer of human history," I for one have no respect for that women. Let here dwell in hell with the rest of her Marxist friends.

Posted by: Joe | May 4, 2005 1:28:37 PM

Susan Sontag's recent death is tragic, for so many reasons. She had more to say, and altho she already was able to say more than most writers and activist/artists of her /our time, there was so much more to be heard from her.

I met her in the early 80s when she had a streak in her hair, was traveling often to Japan, and was excited by so many discoveries there. As a co producer of a project with Japanese dancer, Min Tanaka, I was responsible for performance program notes. Susan had done the libretto for the dance, based on stories by Edgar Allen Poe. I will never forget the incredible editing experience I had with her, going through the notes and comments about the production, honing the words down to their essence. It was a pristine moment in time -- she was flawless and generous in her criticism of my text.
Later, when after intensive chemo, her hair grew back all white, I remarked how lovely and thick it looked.
A Classic Susuan reply:
"I highly recommend a little chemo for thickening the hair!" she remarked, laughing.

Mr. Ireland and all of those who send in remarks and reminders and memories and windows to Susan
s world. thank you.

She will be missed.
Goodby Susan

Posted by: Bonnie Stein | Jan 2, 2005 11:07:26 PM

Dear Doug:

I read your article today at the L.A. Weekly and I felt an urge to write you back.

My name is Simone Kussatz. I am a free-lance writer from Germany. I admired Susan Sontag very much not only for her career as a writer, but also because she had not been born into the world of writers and intellectuals, but had made that happen through her desire and love for books. Therefore, I was very touched, when I heard about her sudden death. Susan Sontag was a role model for me in many ways ..

The only thing I want to add is that I am sad about her death, although I haven't known her personally. But since books are also my best friends, I do consider her to be a friend.

Best regards, Simone Kussatz


Posted by: Simone Kussatz | Jan 2, 2005 9:04:46 PM

Aquí en España y en Asturias donde recogio el premio Príncipe (2003) no sólo estamos consternados por la muerte de Susan sino porque las noticias que nos llegan (y buscamos desesperadamente en internet) de su pais son menos de las esperadas. Una patriota y luchadora como ella que hablaba orgullosa e ilusionada de EEUU no merece ese apagón informativo de su gente. Las muestras de cariño parecen mayores en Europa y resto del mundo que en su país. Ella siempre vivirá en nuestra mente y nuestros corazones a través de su literatura y de su ejemplo de vida libre e independiente. Estés donde estés TE QUEREMOS SIEMPRE, SUSAN.(DEP)

Posted by: Isabel Lobo | Jan 1, 2005 8:09:51 AM

Thank you for sharing your thoughts and memories during this time of loss.

Posted by: John | Dec 30, 2004 5:41:44 PM

Doug, How grateful I was to read your affectionate, knowing, funny and, above all, LIVING memories of the irreplaceable SUSAN SONTAG.
I can add nothing to your tribute, except a humble starstruck testimony to her magical genius as our leading public intellectual (-activist, -artist) in not only defending but asserting in the sharpest tones possible the values of literature and activism, of thinking deeply and dialectically, of allowing oneself to be so deeply by both beauty and horror that a response must be made. No one, none of her pals who won Nobel Prizes, communicated this to the same obsessive extent.That she managed this, both courageous activism and exquisite literature, in the face of three decades of illness, of being a sick person, a patient, a survivor, has not been much commented on, but it is of acute interest to people with HIV and AIDS activists.

I would like to draw your attention to a wonderful and informative interview that Terry Gross of Fresh Air held with Sontag in 1989 after the pub of her book AIDS and Its Metaphors.

http://www.npr.org/templates/story/story.php?storyId=4249837&sourceCode=RSS

It is very funny, in a sad way, that, at the time, Larry Kramer and many people in ACT UP were
furious with Sontag because she was, that year, the president of PEN International,
and focused exclusively on the plight of dissident writers jailed worldwide (imagine
that!) and refused to throw PEN's support behind AIDS activism, or publicize the
high number of writers with AIDS, or come out herself as a homo.

There was little sentiment that her book was a very significant attack on homophobia
and AIDSphobia that was taken seriously by both academia, popular culture venues
and the mainstream press--each its own closed world--precisely because of Sontag's
stature as a leading public intellectual. Or that dissident writers were PEN's mandateâ??you
may remember that Rushdie was still in hiding from the fundamentalist Islamist jihad
against him.

Listening to the interview, I am impressed at how successful Terry Gross is at getting
Sontag to speak personally about what it was like to be a cancer patient in the
mid-70s, about what she felt facing a death sentence, about how she empowered herself
to believe in survival, educating herself, accepting support from friends (she had
no health insurance at the time), insisting on experimental and radical treatment,
firing docs who could not get with her program, etc. In other words, an intimate
window on her own patient empowerment, in the mid-70s, prior to AIDS.

It is troubling to me that ACT UP was not able to make use of, or even acknowledge,
any of this. I include myself in this criticism, of course. Because I actually idolized
Sontag and had read her work and still said nothing. How monomaniacal we were.

Posted by: walter | Dec 29, 2004 9:49:55 PM

Susan Sontag has long been one of my heroines. She was brilliant. Her mind could grasp multitudes from her environment and when she spit it out, it all made sense. She said what I would have said had I been smart enough. I wanted to BE her. She made fools uncomfortable. BRAVO!

Posted by: Jody | Dec 29, 2004 9:47:07 PM

Doug, How grateful I was to read your affectionate, knowing, funny and, above all, LIVING memories of the irreplaceable SUSAN SONTAG.
I can add nothing to your tribute, except a humble starstruck testimony to her magical genius as our leading public intellectual (-activist, -artist) in not only defending but asserting in the sharpest tones possible the values of literature and activism, of thinking deeply and dialectically, of allowing oneself to be so deeply by both beauty and horror that a response must be made. No one, none of her pals who won Nobel Prizes, communicated this to the same obsessive extent.That she managed this, both courageous activism and exquisite literature, in the face of three decades of illness, of being a sick person, a patient, a survivor, has not been much commented on, but it is of acute interest to people with HIV and AIDS activists.

I would like to draw your attention to a wonderful and informative interview that Terry Gross of Fresh Air held with Sontag in 1989 after the pub of her book AIDS and Its Metaphors.

http://www.npr.org/templates/story/story.php?storyId=4249837&sourceCode=RSS

It is very funny, in a sad way, that, at the time, Larry Kramer and many people in ACT UP were
furious with Sontag because she was, that year, the president of PEN International,
and focused exclusively on the plight of dissident writers jailed worldwide (imagine
that!) and refused to throw PEN's support behind AIDS activism, or publicize the
high number of writers with AIDS, or come out herself as a homo.

There was little sentiment that her book was a very significant attack on homophobia
and AIDSphobia that was taken seriously by both academia, popular culture venues
and the mainstream press--each its own closed world--precisely because of Sontag's
stature as a leading public intellectual. Or that dissident writers were PEN's mandateâ??you
may remember that Rushdie was still in hiding from the fundamentalist Islamist jihad
against him.

Listening to the interview, I am impressed at how successful Terry Gross is at getting
Sontag to speak personally about what it was like to be a cancer patient in the
mid-70s, about what she felt facing a death sentence, about how she empowered herself
to believe in survival, educating herself, accepting support from friends (she had
no health insurance at the time), insisting on experimental and radical treatment,
firing docs who could not get with her program, etc. In other words, an intimate
window on her own patient empowerment, in the mid-70s, prior to AIDS.

It is troubling to me that ACT UP was not able to make use of, or even acknowledge,
any of this. I include myself in this criticism, of course. Because I actually idolized
Sontag and had read her work and still said nothing. How monomaniacal we were.

Posted by: walter | Dec 29, 2004 9:45:55 PM

Doug, How grateful I was to read your affectionate, knowing, funny and, above all, LIVING memories of the irreplaceable SUSAN SONTAG.
I can add nothing to your tribute, except a humble starstruck testimony to her magical genius as our leading public intellectual (-activist, -artist) in not only defending but asserting in the sharpest tones possible the values of literature and activism, of thinking deeply and dialectically, of allowing oneself to be so deeply by both beauty and horror that a response must be made. No one, none of her pals who won Nobel Prizes, communicated this to the same obsessive extent.That she managed this, both courageous activism and exquisite literature, in the face of three decades of illness, of being a sick person, a patient, a survivor, has not been much commented on, but it is of acute interest to people with HIV and AIDS activists.

I would like to draw your attention to a wonderful and informative interview that Terry Gross of Fresh Air held with Sontag in 1989 after the pub of her book AIDS and Its Metaphors.

http://www.npr.org/templates/story/story.php?storyId=4249837&sourceCode=RSS

It is very funny, in a sad way, that, at the time, Larry Kramer and many people in ACT UP were
furious with Sontag because she was, that year, the president of PEN International,
and focused exclusively on the plight of dissident writers jailed worldwide (imagine
that!) and refused to throw PEN's support behind AIDS activism, or publicize the
high number of writers with AIDS, or come out herself as a homo.

There was little sentiment that her book was a very significant attack on homophobia
and AIDSphobia that was taken seriously by both academia, popular culture venues
and the mainstream press--each its own closed world--precisely because of Sontag's
stature as a leading public intellectual. Or that dissident writers were PEN's mandateâ??you
may remember that Rushdie was still in hiding from the fundamentalist Islamist jihad
against him.

Listening to the interview, I am impressed at how successful Terry Gross is at getting
Sontag to speak personally about what it was like to be a cancer patient in the
mid-70s, about what she felt facing a death sentence, about how she empowered herself
to believe in survival, educating herself, accepting support from friends (she had
no health insurance at the time), insisting on experimental and radical treatment,
firing docs who could not get with her program, etc. In other words, an intimate
window on her own patient empowerment, in the mid-70s, prior to AIDS.

It is troubling to me that ACT UP was not able to make use of, or even acknowledge,
any of this. I include myself in this criticism, of course. Because I actually idolized
Sontag and had read her work and still said nothing. How monomaniacal we were.

Posted by: walter | Dec 29, 2004 9:45:35 PM

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